Loading...
Dancefloor-Driven Literature: Subcultural big bangs and a new center for the aesthetic universe
Morrison, Simon A.
Morrison, Simon A.
Advisors
Editors
Other Contributors
Affiliation
EPub Date
Publication Date
2016-12-13
Submitted Date
Collections
Files
Other Titles
Abstract
This paper sets coordinates squarely for Holleran’s ‘aesthetic center of the universe’ –venturing toward the black hole of the nightclub dancefloor. Further, it will reach out to those writers determined to capture the electronic essence of this at times alien electronic dance music culture within the rather more earth-bound parameters of the written word. How might such authors write about something so otherworldly as the nightclub scene? How might they write lucidly and fluidly about the rigid, metronomic beat of electronic music? What literary techniques might they deploy to accurately recount in fixed symbols the drifting, hallucinatory effects of a drug experience? In an attempt to address these questions this paper will offer an outerspace overview of this subculture and its fictional literary output.
Citation
Morrison, S. A. (2016). Dancefloor-Driven Literature: Subcultural big bangs and a new center for the aesthetic universe. Popular Music, 36(1), 43-54. https://doi.org/10.1017/S0261143016000660
Publisher
Cambridge University Press
Journal
Popular Music
Research Unit
DOI
10.1017/S0261143016000660
PubMed ID
PubMed Central ID
Type
Article
Language
en
Description
This article has been accepted for publication and will appear in a revised form, subsequent to peer review and/or editorial input by Cambridge University Press, in Popular Music published by Cambridge University Press. Copyright Cambridge University Press: HSS Journals.
Series/Report no.
ISSN
0261-1430
EISSN
1474-0095
