Baker, BrianFoster, Paul G.2009-07-102009-07-102007-03-19http://hdl.handle.net/10034/73257This thesis is concerned with the importance of the gaze in fin-de-siecle Gothic. One of the ways in which the importance of the gaze manifests itself is in the central role of the onlooker like Enfield, Utterson or Lanyon in Robert Louis Stevenson's Stange case of Dr Jekyll and Mr Hyde (1886), Prendick In H.G. Well's Island of Dr Moreau (1896), or Harker in Bram Stoker's Dracula (1897). As their appelation suggests, Wells's Beast Men confound the distinction between the human and the animal, which is also the case with 'Beast Men' like Hyde and Dracula. A central concern of the thisis is the perceptual drama that is involved in looking at the spectacle of the monstrous body, for excample, as the onlooker struggles to get to grips with the challenge to representation posed by these 'Beast Men'.enfin-de-siecle Gothic fictionGothic novelsgazeThe strange case of Dr Jekyll and Mr HydeIsland of Dr MoreauDraculaThe gaze and subjectivity in fin de siècle Gothic fictionThesis or dissertationThe full-text may be used and/or reproduced in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-profit purposes provided that: - A full bibliographic reference is made to the original source - A link is made to the metadata record in ChesterRep - The full-text is not changed in any way - The full-text must not be sold in any format or medium without the formal permission of the copyright holders. - For more information please email researchsupport.lis@chester.ac.uk