Waite, JulianHarrop, PeterLayton, James R.2017-02-132017-02-132016-04Layton, J. R. (2016). The experience and perception of duration in three contemporary performances. (Doctoral dissertation). University of Chester, United Kingdom.http://hdl.handle.net/10034/620372I argue in this thesis that qualitative duration (viewed in opposition to the construct of quantitative clock-time) can be experienced through performance encounters that challenge smooth consumption. In a socially accelerated culture, where to do more in less time is the measure of a productive life, one’s connection with the ‘real’ time of duration is diminished. To challenge this premise, I have used an autoethnographic approach to explore an experience of duration conceived via the work of French philosopher Henri Bergson, who posits that “pure duration [is that which] excludes all idea of juxtaposition, reciprocal externality, and extension” (Bergson, 1903/1999, p. 26). In other words, Bergson asserts that duration defies quantitative measurement. I argue that the Bergsonian experience of duration offers a pause from social acceleration and effects a transformation for the spectator in the form of peak-experience, flow, and communitas.enhttp://creativecommons.org/licenses/by-nc-nd/4.0/PerformanceExperience of timePerception of timeThe experience and perception of duration in three contemporary performancesThesis or dissertation2017-06-15The full-text may be used and/or reproduced in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-profit purposes provided that: - A full bibliographic reference is made to the original source - A link is made to the metadata record in ChesterRep - The full-text is not changed in any way - The full-text must not be sold in any format or medium without the formal permission of the copyright holders. - For more information please email researchsupport.lis@chester.ac.uk