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Excitable tissues in motion capture practices: The improvising dancer as technogenetic imagist

Sarco-Thomas, Malaika
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2013-10-01
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Abstract
This article outlines the potential of dance improvisation practice to function as a technological interface with one’s environment, drawing parallels between the performances of Twig Dances (Sarco-Thomas 2010) and technologies used in the life sciences to map living matter onto still frames. A postphenomenological approach is used to compare improvisation scores with image-making technologies. Scores that invite corporeal responses to the non-human, and kinaesthetic responses to organic matter, are highlighted as technologies which stand further exploration and examination as they mediate our experience of the world. A diversifying field of somatic practices is proposed as a means to investigate the potential knowledges generated by ‘excitable tissues’ enlivened through improvisational practices.
Citation
Sarco-Thomas, M. (2013). Excitable Tissues in motion capture practices: the improvising dancer as technogenetic imagist. Journal of Dance & Somatic Practices, 5(1), 81-93.
Publisher
Intellect
Journal
Journal of Dance & Somatic Practices
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DOI
10.1386/jdsp.5.1.81_1
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Article
Language
en
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1757-1871
EISSN
1757-188X
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https://www.ingentaconnect.com/content/intellect/jdsp/2013/00000005/00000001/art00007