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Mémoire et intermédialité dans Les Chansons d'amour de Christophe Honoré

Obergöker, Timo
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University of Chester
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2015-05-01
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Modern Languages
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Abstract
Christophe Honoré's cinema has often been described as postmodern yet nostalgic. The articles aims at exploring this "postmodern nostalgia" which is one of the major characteristics of contemporary French cinema.
Citation
Obergöker, T. (2015). Mémoire et intermédialité dans Les Chansons d'amour de Christophe Honoré. In F. Höhner, U. Mathis-Moser (eds.) Das französische Chanson im Licht medialer (R)evolutionen/ La chanson française à la lumière des (r)évolutions médiatiques. (pp. 173-187). Würzburg: Königshausen und Neumann.
Publisher
Königshausen und Neumann
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http://hdl.handle.net/10034/604763
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Type
Book chapter
Language
fr
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ISBN
9783826052316
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https://www.verlag-koenigshausen-neumann.de/product_info.php/language/en/info/p7681_Das-franzoesische-Chanson-im-Licht--medialer--R-evolutionen--La-chanson-fran-aise---la-lumi-re-des--r--volutions-m-diatiques-.html